Georg Friedrich Händel
        AN ODE FOR ST. CECILIA'S DAY (1739)
        An Ode
        Words by Newburgh Hamilton
        1. Overture
        
        2. Recitative
        
        Tenor
        From harmony, from heav'nly harmony,
        This universal frame began.
        3. Accompagnato
        
        Tenor
        When nature underneath a heap
        Of jarring atoms lay,
        And could not heave her head,
        The tuneful voice was heard from high:
        "Arise! Ye more than dead."
        Then cold, and hot, and moist and dry,
        In order to their stations leap,
        And music's pow'r obey.
        4. Chorus
        
        From harmony, from heav'nly harmony,
        This universal frame began,
        From harmony to harmony,
        Through all the compass of the notes it ran,
        The diapason closing full in man.
        5. Air
        
        Soprano
        What passion cannot music raise and quell!
        When Jubal struck the chorded shell,
        His list'ning brethren stood around,
        And wond'ring, on their faces fell,
        To worship that celestial sound.
        Less than a god they thought there could not dwell
        Within the hollow of that shell,
        That spoke so sweetly and so well.
        What passion cannot music raise and quell!
        6. Air (tenor) and Chorus
        
        The trumpet's loud clangor
        Excites us to arms,
        With shrill notes of anger,
        And mortal alarms.
        The double, double, double beat
        Of the thund'ring drum
        Cries: "Hark! the foes come;
        Charge, charge! 'Tis too late to retreat."
        7. March
        
        8. Air
        
        Soprano
        The soft complaining flute
        In dying notes discovers
        The woes of hopeless lovers,
        Whose dirge is whisper'd by the warbling lute.
        9. Air
        
        Tenor
        Sharp violins proclaim
        Their jealous pangs, and desperation,
        Fury, frantic indignation,
        Depths of pain, and height of passion,
        For the fair disdainful dame.
        10. Air
        
        Soprano
        But oh, what art can teach,
        What human voice can reach
        The sacred organ's praise?
        Notes inspiring holy love,
        Notes that wing their heav'nly ways
        To join the choirs above.
        11. Air
        
        Soprano
        Orpheus could lead the savage race,
        And trees, unrooted, left their place,
        Sequacious of the lyre.
        12. Accompagnato
        
        Soprano
        But bright Cecilia raised the wonder high'r:
        When to her organ, vocal breath was giv'n,
        An angel heard, and straight appear'd,
        Mistaking earth for Heav'n.
        13. Solo (soprano) and Chorus
        
        As from the pow'r of sacred lays
        The spheres began to move,
        And sung the great Creator's praise
        To all the bless'd above;
        So when the last and dreadful hour
        This crumbling pageant shall devour,
        The trumpet shall be heard on high,
        The dead shall live, the living die,
        And music shall untune the sky.
        Fonte:
        
        http://opera.stanford.edu/iu/libretti/Cecilia.htm 
        La 
        ricchissima programmazione del festival la troviamo nella relativa 
        pagina.
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